Cultivating Creativity

I was one of 7 nervous faces sitting round a kitchen table. There were notebooks of varying shapes and sizes and a random assortment of pens. I have arrived at a creative writing course to learn how to “Banish the Blank Page”.

I’m not writing this post to announce my forthcoming literary masterpiece, but to share my unexpected learnings from the day.

Observation is the key to creativity in any discipline (whether music, art or literature). Inspiration comes from getting out there and finding it, of tuning in to your environment to see the beauty there. You can’t think anything into creation.

Practice is everything. If you want to write, find time in your day to write (and there is enough time). It doesn’t have to be a long time. Most of the exercises we did were no longer than 15 minutes but by consistent practice, your writing will improve and you will get better at finding the time. To quote Marcel Moyse from “De le Sonorite”, his method for developing flute playing: “It is all a question of time, patience and intelligent work”

Don’t try and make it perfect. It’s rare that the first draft of anything is the final offering, but there always has to be a first draft. Experiment and see what happens, enjoy the evolution and build up a back catalogue of outtakes to mark your improvement.

Seek feedback from other people. We are our own worst critic and it’s unlikely that you will say anything favourable about your own work. If you can find a tutor or a trusted circle of friends (This is known as workshopping in the literary world.) you will get some fair feedback. Learn to be a critic – this isn’t to belittle your or your competitors’ efforts, but to learn from them: why does that phrase work? Why don’t I believe in that character?

At the end of the day do I find myself transformed into a creative writer? Probably not, at least not right now and not without a lot more practice.

So was the day wasted? No, everything I learnt can be applied to help me move forward in doing my dreams.

Finding like-minded people, seeking inspiration and trying things out are all the ingredients for success. Giving something a go takes away that nervous face, replacing it with a confident smile.


Leave a comment if you’ve had a similar experience of trying something new, or practising till you get it right. 

I attended “Banish the Blank Page” with Melanie Whipman, You can find out about her and other creative writing courses here.

I could never…write a book

“Elementary, my dear Watson…” Perhaps it was no coincidence that Tom Grove was inspired by one of the greatest fictional detectives to do his own detective work, in finding out what his dream job is.  I quizzed Tom to discover what happens when we dream big and then go further, by not settling for a topic that we know, but by diving into the realm of fiction.


Q. When/why did you decide to become an author?

A. One day, I woke up and thought… No, that’s not how it happened. It was a slow culmination of a number of real-life events that led me here almost by chance. In June 2015, a year-long contract came to an end, as had a lengthy divorce and the recovery from a mild heart attack. So I decided to take a long summer break to take stock which extended into autumn and winter. During this time, I had been reading a lot and had toyed with the idea of writing something myself. I had a few false starts, one a reflective project looking at my life and incorporating a few lessons into a fictional story. I ditched this as it was too much like digging over old ground. The other was born out of the advice which states that one should write from experience and I started work on a non-fiction project called “Hey dad, what’s a project manager?” an attempt to distil my knowledge of the profession into a user-friendly manual that even a kid could understand. This I also abandoned, maybe because it was still too fresh but more importantly, it didn’t inspire me creatively.

In early 2016, having just read the complete works of Conan Doyle’s Sherlock Holmes, I was toying with the idea of my own fictional sleuth set in Norfolk, an area I know very well. My sleuth would not be the archetypal depressed alcoholic surrounded by characters beset with every problem imaginable swimming in murder victims. I wanted someone who was mainly likeable and smart but who would occasionally go off the rails, surrounded by characters with everyday ups and downs trying to solve a single murder which didn’t spiral into a spree. Thus, was born Shaun Young, a criminal psychologist with a borderline bipolar disorder and an intuitive photographic memory who works for the Norfolk CID on difficult murder cases. The Pink Herring was released in March 2017 after two professional edits and numerous inputs from friends and family. I am currently working on the next book in the series, The Nor’easter.

Q. How did you feel, once you’d decided to write a book? Were there highs and lows as you were writing it?

A. I have a long background in research, so the first thing I did was to study the art, not just the classic form and structure of writing fiction, but how others had approached it – famous and aspiring authors alike. I’ve documented how this panned out and my approach to writing in a blog so won’t repeat it here, but it doesn’t explain how I feel about writing. For me, writing feels a lot like reading. What I mean by that is I have a pretty good idea about the setting, theme, plot and characters before I start but, like Stephen King, I let my characters tell the story. This is how the meat of the story develops and sometimes surprises me that a character I initially thought would play a bit part becomes pivotal to the book. As I write, the settings, characters and story become richer and I lose myself in this fictional world. The process of creating a story and engaging characters from nothing is immensely satisfying. It’s intoxicating, exhilarating hard work but the most rewarding thing I’ve done professionally.

I wrote the first draft of the Pink Herring – a manuscript of just over 100,000 words – in just less than three months and it flew by. It was at this point in no way a finished product. The re-writes following the editorials for two further drafts would expand the book to over 130,000 words and take another nine months to complete. The final draft bears little resemblance to the first with much blood, sweat and tears going to into shaping it from a crude story to one which is well crafted with the right balance of conflict, twists and turns, romantic engagement, thrills and spills and a surprising but rewarding ending. The polishing of gem stones, silverware, performance art or literature are all painstaking exercises because that’s what it takes to deliver a finished product.

The low points of writing for me come when I have created a plot hole or have realised a much better way to tell the story. This results in editing sections of the book or deleting them entirely to re-write new parts. I know that the story will be so much better, but it creates a rift in the original story line that must align with the whole book. Proof reading is another area I do not enjoy, but luckily, I have found some friends who are willing to do this arduous but completely necessary job for me. As an example, one friend managed to identify over 500 superfluous commas which made the story flow so much better. The highs include completing a chapter where I have created a character or a setting that I particularly like. There are bars and restaurants that I have imagined that I would love to visit since I know them so well now. I also enjoy the twists and turns that I create and the seeding of clues and leads within the story. But the most enjoyable part is writing what is known as the denouement, the completion of the story where all the threads come together – it’s like finding the last important piece of a jigsaw puzzle.

Q. Can you describe a typical day.

A. Yes, because I treat writing like a job, creating routines and targets to keep me on track. My partner still works in the real world, so I get up with her and make breakfast for us both. She will leave the house at around half eight and I will make another cup of tea to take to the office where I do my writing. The office is like a little library; all my favourite books on shelves in front of me, inspiring me when I get a little dry. I use a MacBook pro and separate display to give me a dual screen set-up; one for writing the manuscript, the other with access to my research for the book and something I call a Storybook detailing the characters, story outline, plots and subplots, chapter summary and a graph for recording number of words written in a session.

I normally start with a new chapter, since I won’t finish the previous day until I complete a section. I read through the Storybook and the previous chapter to get me in the zone, then write until around 11 am when my diary nags me to go for a bike ride. Most days, I’ll comply and take half an hour to ride around the lakes; on others, I’ll just knuckle down and continue writing if I’m in the flow (or its raining). I’ll break for lunch when my stomach tells me to – probably just a sandwich and my fourth or fifth cup of tea. After lunch, it’s back to the office where I may check on sales of The Pink Herring and tweak the various marketing campaigns I have running or think of new articles for the blog on my website. Before long I will return to writing until around five when I’ll save a new version of the manuscript and turn my mind to dinner.

I love cooking almost as much as I love writing, which is good news for my partner as she invariably walks in the house to the smell of a curry or stir-fry or whatever I’m doing that day. We talk about each other’s day over dinner which is cathartic for her and useful for me to get some real-time feedback on my ideas.

Q. Do you have any tips or advice for aspiring authors

A. I wrote a blog which gives 25 bullet points about how I write from which many tips can be gleaned, but these are centred on the how-to elements rather than general advice. I wrote another blog about the pros and cons of becoming an independent author rather than going the traditional route of finding an agent and publisher. Pulling these and my current thinking together, there are a few key points worth restating.

I believe that everyone has at least one book in them, but if you are looking to write for a living, then it something that you can’t do in the margins. To remain sane, you must have a life outside of your writing zone which means doing it before or after work is not sustainable in the long-term. Taking the leap to become a full-time author is a risky one as there are many aspiring authors in or about to enter the market, all looking to make a living from writing. Some will say that you should not be driven by the need to make money, which is true. However, there are few authors making a living from writing about obscure subject matters or niche projects. So, whatever genre you write in, the development of your own voice or style is essential if you are to be distinguishable from the masses – this is something that may not be acknowledged by the market until your second or third book, so it’s going to be a long game. Even the most acknowledged and successful authors had the same uncertain future facing them when they started.

The most important piece of advice I would give any aspiring author is to get your work professionally checked – a full editorial review, taken heed of and acted upon, will improve the quality of your work immeasurably. Thereafter, it is a simple matter of self-belief and endurance.

Q. What’s the one piece of advice you’d give your younger self?

A. Don’t be scared to make a sea change in the way you live your life – life is short, drudgery is long. Follow your dreams, or at least find out what they might be, and give them a chance without being influenced by what other people say, how likely you are too succeed or how much money you’d likely make. Don’t look to others to make you happy or contented – this is entirely in your own domain. Don’t hold grudges – it’s like taking poison in the expectation that someone else will suffer. Smile when you feel like shouting, hug when you feel like howling. Don’t stifle a sneeze or raw emotion – both will hurt your heart. Cry when you feel like it – not when it’s convenient for someone else. Really do go the extra mile – it is always worth it, whether it feels like it at the time or not.

However, just like anyone’s younger self or the younger versions we may have made of ourselves, whether I’d listen and take heed of the advice is another matter entirely.

Q. What challenges do you have in the pipeline?

A. When I decided to give writing a real chance, I said that I would write three books featuring Shaun Young regardless of how successful the earlier books were. I am currently writing the second which is due for publication in October 2017 and I have completed the wireframe for the third book. It is only when the third book has been published and marketed will I have any idea how successful the series will be, but I have ideas for subsequent books already lined up.

My other favourite category of literature is science-fiction and I would love to write a crime detective novel in this genre. I would take the same approach to writing science-fiction as I do fiction; to keep things as real and plausible as possible. I have some ideas I’ve been considering around the evolution of artificial intelligence and its use within crime detection. I am, as yet, undecided whether to extend the Shaun Young series into this realm or whether to create a completely new set of characters and set it in the very near future.

Outside of writing, I have rough plans to travel with my partner over the next few years including a road trip along the southern states of America and the same for the west coast of Australia. Road trips allow me to soak up the atmosphere of place and its people, aspects of which will undoubtedly influence my writing in the future.

My first book has been reasonably successful and the feedback very encouraging. Whatever level of success I ultimately achieve, I think that I’ve found the profession that will see me gainfully employed for the foreseeable future. I’ve never had a job that I can’t wait to start in the mornings, that I get totally consumed in during the day and have to be dragged away from in the evenings. Long may it last…


For more inspirational people who are doing their dreams, take a look at the rest of the blog. If you are stuck on how to start doing your dreams, get in touch and find out how I can help you.  

I could never…be a freelancer

I love my job, but I just can’t get on with working for this person/in this company. Has anyone else thought this, but then immediately told themselves how lucky they are to have a job and how hard it would be to go freelance?

Meet Lizzie Davey, who has successfully made the leap and shared her experience with me.

How would you describe what you do?

In the most basic sense, I’m a freelance writer. But, more specifically, I create long-form content for marketing brands and tech companies that help them connect with their audience and convert more readers into buyers.

I also help brands put together engaging content strategies that help them reach their goals and get their brands out there.

Have you always done this? When/why did you make a change?

No! I started my freelance career as a travel writer, because I was living abroad and travel was my biggest love. I soon realised that the pay in that sector is pretty shoddy, and the writing became repetitive.

I have a background in marketing and I love reading up on current trends, so it made sense to make the switch. I made the change about a year and a half into my freelance career (I wish I’d done it sooner, though!).

Was there a particular trigger for changing your work/lifestyle?

Yes. My ex-boyfriend was an English teacher and we’d discussed living abroad so he could earn more money and I could get to see some fun places. He landed a job in Spain that started a month later, so I kinda had to get my stuff together pretty quickly.

I think if I hadn’t have had that complete cut from normal life, I wouldn’t have gone all in with freelancing.

How did you feel when you made the decision to go freelance?

Absolutely terrified! I was convinced that it wasn’t a viable way to make money and I thought I’d be struggling to earn enough each month to pay my bills. It was also pretty liberating though, and I was proud of myself for finally taking the plunge on something I’d wanted to do for a LONG time.

What are the highlights and lowlights of a freelance career?

The highlights are definitely working with some amazing brands and seeing their stories come to life. On a more personal, selfish level, the freedom I have to work with who I want, when I want, and do what I want is a huge high.

But it’s not all fun, fun, fun! There were months at the start of my career where I didn’t make enough money and I didn’t think I’d ever be able to make a consistent income. Now? There aren’t as many lows, but I do often wonder what’s next – like, whether I’ll still be doing the similar work for similar clients this time in ten years.

Do you have any advice or tips for someone considering a freelance career?

Yes! It’s totally possible if it’s something you really want, but it’s really not the right lifestyle for everyone.

You have to be incredibly persistent and cut yourself some slack when you think things aren’t moving quickly enough. It took me almost two years to find the balance in my business that I craved, and there were so many points along the way where I was ready to pack it all in and go back to full-time employment.

I think a sensible place to start is to plan everything meticulously. Where do you want to be next month? Next year? In the next five years? And be realistic, too. Freelancing isn’t an overnight thing. It takes time to create and build a business you’re happy with.

Is there one piece of advice you would give your younger self?

Great question! There is absolutely tonnes of things I’d love to have known when I was younger.

Career-wise, I think I would have told myself that things will work out because they have to. Nobody knows what they’re doing most of the time, so just keep being curious, keep asking questions, and keep creating connections.

What new challenges/plans are in the pipeline?

I’m currently re-working my packages this summer to include more strategy-based offerings. I LOVE helping brands figure out the message they want to put out there and then putting that into action through really juicy content.

I’m also writing a new course for prospects who can’t afford my full services, but still want help creating an engaging content strategy.

As for Creative Freelancing Freedom (my course for freelancers), I’ll be closing that up soon and re-opening it two times a year for a more focused approach.

You can find out more about Lizzie and her work at wanderful-world.com


If you know what you want to do, but can’t seem to make it happen – get in touch for a chat about how I can help you start doing your dreams.

Going slow to go fast

We all know the story of the tortoise and the hare. About how if we set off too fast we may feel like we’re winning, but then we get tired and need to take a nap – we wake up disoriented and then can’t quite pick ourselves up again to get going in the right direction and the race is lost.

I know this to be true when running races, but it’s often how my days feel like to me. I get up with a flourish, start attacking my to do list and am exhausted by lunch time. In a drive to shoe I’m being productive, I battle on and then call it quits early because I’m not achieving anything. As well as being tiring, it can be frustrating.

For the last couple of weeks, I’ve been taking a different approach. My mornings have been slower to get started “properly” (as I would have described it). My first activity has been creative – writing – not for business but for pleasure. A challenge to write a short story – no limits as to how long or by when – meant I had to find time to do it, to write at least a few words. And some mornings it’s been lots of words, which has been great, and when I run out I can stop and pick it up again the next morning.

Sometimes you’ve got to force yourself to find the time to do the things that you enjoy and once you start it’s amazing how time can get away from you, and how you can forget about any stresses or anxieties whilst you’re doing it. My mornings feel like they’ve been extended and this in turn makes it feel as if the daily routine has shifted, with a later lunch (coinciding with my slump time) and picking up again later.

By owning my mornings a bit more – whether by exercising, stretching or creating – and by starting the day more slowly it can set the tone to be more deliberate about what I do, feels more productive and may get me to my goals faster.

Any significant change will take daily actions. Agree a daily action with yourself and every day you make it happen put a visible mark in your calendar. That way, you won’t want to break the chain and it will give you an extra incentive to keep going.


Can I help you to get to your goals faster? If you’re feeling overwhelmed and too busy to do the things you want, send me a message to arrange a chat about how I can help you feel calmer and see the actions you need to take to start doing your dreams.